We don't want to call MF DOOM an unreliable guy. We like to imagine that instead of recording music he is sneaking around doing important stuff like hunting down Osama bin Laden or building seal habitats. Either way, the fact remains: The rumored follow-up to Madvillainy, DOOM's 2004 collaboration with Madlib, remains unfinished.

While we wait for the album, Madlib has stepped in to make up for his Madvillain partner's absence with the release of a record called Madvillainy 2: The Madlib Remix. Madvillainy 2 shares no song titles with Madvillainy, but that just makes it easier to treat this reworking as a new entity.

The digital version of Madvillainy 2 is available exclusively from Stones Throw's online store right now, but still forthcoming is a souped-up edition of the record called Madvillainy 2: The Box. The Box includes the Madvillainy 2 CD, a 7" featuring "One Beer (Drunk Version)", a cassette featuring The Madvillainy Demo Tape which leaked online prior to Madvillainy's release, a Madvillain t-shirt, and a comic book continuation of the "All Caps" video. All of this comes in a box "wrapped in silver like a mask," according to Stones Throw's description.

Stones Throw is manufacturing copies of Madvillainy 2: The Box based on pre-orders, so anyone who wants one should order by August 15 to receive a copy after the guaranteed ship date of September 15. The cost of The Box is steep-- $124.99 plus shipping-- but such is price of so many goodies.

And you know that's not all Madlib's up to. On September 30, he'll unveil his contribution to BBE's series Beat Generation. Titled WLIB AM: King of the Wigflip, the compilation includes tracks from Guilty Simpson, J.Rocc, Murs, Madlib himself, and his thing with Oh No, the Professionals. WLIB AM is anchored by a bunch of offerings from Madlib's Beat Konducta guise, and will bear the stamps of both BBE and Rapster Records.

Speaking of Beat Konducta, Madlib plans to re-adopt the moniker for a fifth volume of instrumental head-nodders called Dil Cosby Suite. That disc may surface as soon as next month. Also in the pipeline: a record called Miles Away from Madlib's Last Electro-Acoustic Space Jazz & Percussion Ensemble.

As for DOOM, if we cross our fingers extra hard, maybe we'll see his ages-in-the-making Ghostface collaboration Swift & Changeable before the year is out?

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When Liz Phair's Exile in Guyville shows in San Francisco, New York, and Chicago were announced last month, we were told that "no additional shows" would be announced. That, as it turns out, was a goddamned lie, which is good news for residents of three East Coast cities.

Liz and band will tackle Guyville three more times towards the end of August over consecutive nights in Philly, D.C., and Boston. All this, of course, comes in the wake of the deluxe reissue of Guyville from Phair's new label ATO. Let's just hope the Chicago show was an outlier, yeah?

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Indietracks is sort of an awkward name for a thing, sure, like Dijonnaise. Then again, just like there's no more appropriate term for the intersection of dijon mustard and mayonnaise, what the hell else are you gonna call a festival where indie bands perform on real live trains? Exactly.

So, Indietracks it is. Taking place July 26-27 at the Midland Railway in Butterley, England, the fest packs a mess of indie pop bands onto three boring old static stages, plus, as we cannot possibly mention enough, one stage on a moving train.

The likes of the Wedding Present, Los Campesinos!, Manhattan Love Suicides, Airport Girl, the Wave Pictures, Comet Gain, Ballboy, Red Pony Clock, Milky Wimpshake, Shrag, St. Christopher, the Smittens, and oh so many others will slide into the station this coming weekend.

You kind of have to feel a little bit bad for Foals. When everyone else was out getting girls, each and every member of the band was most likely holed up indoors, listening to Gang Of Four's Entertainment! and doing their philosophy homework. Their tracks are such focused lessons in tight, mathematical indie rock thats theres no doubt in my mind that they perennially struck out with the ladies. But we mustnt feel too bad for Foals, after all the band it lead them to harness that angst and stuff it all inside the Antidotes LP, which is still dripping out tantalizing singles, the latest of which happens to be the standout Olympic Airways. While the remixes from minimal royalty Supermayer and disco revivalist Ewan Pearson are a big draw, we cant forget the original Olympic Airways which has got the same scrupulously constructed rattle and hum you'd expect from UK group, from the fret-choking guitar work to the nod-'n-jerk chorus. And that soaring build midway through is like a fringe-swinging cherry on top. It's the band doing what they do best with an air of total effortlessness. And it's not getting old anytime soon. - Dave Ruby Howe Foals MySpace (http://www.myspace.com/foals) Watch Olympic Airways directed by Dave Ma lzbp7H89u5E hl

Its difficult to find a new world culture that's as musically rich as that of New Zealand. Picking up your brothers guitar and starting a band with your best friend and his sister is a rite of passage for most Kiwis. The Cool Hunter finds three grown-up versions of these backyard operations who are now taking the music of New Zealand to all corners of the globe, and that's just scratching the surface.Liam Finn (http://myspace.com/theliamfinn) is very much a product of his genealogy, but that only partly explains the appeal of his beguiling music. Finn plays through a memory of family holidays and kids toying in the backyard while his delicate arrangements cast you into a spell conducted only by your own reminiscences.Equal parts fastidious and inspired, there is barely a hip-hop album coming out of New Zealand that doesnt have P-Money's (http://pmoneymusic.blogspot.com/)production and DJ nous behind it. The epitome of the quiet performer, P-Money keeps schtum and lets the stomp of his gleaming productions blow your headphones.In a world plagued by the manic, Fat Freddys Drop (http://www.myspace.com/fatfreddysdropnz) stand back, holding up a hi-tek soul elixir. This is music to be shared by close friends over a quiet cookout that runs from the long breezy summer afternoon into a warm, star-lit evening. By Matt Shea.

In a world where the latest buzz is all about design collaborations its refreshing to see one that is seamlessly and intrinsically linked with outstanding results. Carlos Campos (http://www.carloscampos.com/) is fast becoming a star-on-the-rise with his modern menswear collections featuring well-tailored pieces constructed using exceptional fabrics. His latest collection for Spring 2009 is a study in luxe sportswear with clean shapes, attention to detail and a clean palette of eggshell grey, crisp white and electric blue. The matching shoe collection by J Shoes (http://www.jshoes.com/) features all the same colors in patent, leather, canvas and the collections feature patterned fabric from as a highlight. Using J Shoes signature hand-crafted philosophy this collection merges function with form creating a new style of shoe that is neither classic nor casual but a comfortable in-between. The result is innovative, luxe footwear that just seems to work without trying too hard! Kate Vandermeer

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