ANZ Bank Breakout & Learning Center - Melbourne
Trust Melbourne (the city that holds Design close to its bosom) to be the home of the latest initiative from ANZ Bank; a Breakout Learning Centre designed by Hassell. (http://www.hassell.com.au/en.html)As the title suggests, this large, flexible, multi-purpose space is designed to encourage creativity, however it is in the execution that the freedom from constraints of a normal office environment is apparent. Forget about boring corporate colors, obvious branding and drab office furniture (in the style of hit series The Office). The use of unexpected materials and contradictory colors in the space and its furnishings produces startling results. Plywood, paint and patterned rubber with industrial raw finishes are topped off with a pop of fire-engine red and frog green! Various-size meeting rooms are equipped with state-of-the art technology to enhance the group experience. Perhaps my favorite design features are the Tree of Knowledge and the Giant Foot. Just like in a fairytale, the tree grows between floors in a natural raw shape reminding us that the childlike imagination is where creativity is ripest. Beneath the tree, the Giant Foot reminds us about reality and perception. Kate Vandermeer
J Shoes & Carlos Campos
In a world where the latest buzz is all about design collaborations its refreshing to see one that is seamlessly and intrinsically linked with outstanding results. Carlos Campos (http://www.carloscampos.com/) is fast becoming a star-on-the-rise with his modern menswear collections featuring well-tailored pieces constructed using exceptional fabrics. His latest collection for Spring 2009 is a study in luxe sportswear with clean shapes, attention to detail and a clean palette of eggshell grey, crisp white and electric blue. The matching shoe collection by J Shoes (http://www.jshoes.com/) features all the same colors in patent, leather, canvas and the collections feature patterned fabric from as a highlight. Using J Shoes signature hand-crafted philosophy this collection merges function with form creating a new style of shoe that is neither classic nor casual but a comfortable in-between. The result is innovative, luxe footwear that just seems to work without trying too hard! Kate Vandermeer
Spain Emotion - Tokyo Designer's Week
Hector Serrano Studio (http://www.hectorserrano.com) has curated and designed the exhibition Spain Emotion as well as the communication campaign of the Spanish participation at this years Tokyo Designer's Week. The event is organized by the Spanish Institute for Foreign Trade (ICEX) and will take place in the Spanish Embassy in Tokyo from 30 October to 3 November 2008.More than an exhibition, Spain Emotion is a celebration of the best Spanish design in the Tokyo Designer's Week that encompasses not only this exhibition, but also conferences and seminars; a forum that provides with an exceptional opportunity to get to know at first hand those who are behind the products. The aim of Hector Serrano Studio this year is for emotion to be the guiding threads of their story, and the products its main characters. To this end, they have created a space that aims to surprise, entertain, seduce and encourage, rather than simply showing; four large stages where light dramatises and bathes the surroundings and the pieces in color. Color to communicate the vitality and energy with which the Spanish character is so often identified. In short, an experience aimed at revealing the latest in Spanish design, in a most emotive way. - Tuija Seipell
Dexterous Marketing
The TV world isn't exactly a trailblazer when it comes to marketing but we've discovered a fun exception. The series 3 launch of cult 'serial killer' TV show Dexter by Showtime took a guerrilla marketing approach to the launch, mounting fake pop-up news stands in heavily trafficked public spaces in cities across America including New York (positioned right by Central Park), Philadelphia (at 30th Street train station), Los Angeles (outside the Kodak Theater), Chicago (in the financial district) and San Francisco (Union square). The stands featured the show's star Michael C Hall on mock covers of high-profile magazines like Rolling Stone, The New Yorker and GQ. Snacks wrapped in suitably blood-red packaging also figured on the stands. The two-day pop-up pieces debuted on the weekend to coincide with the airing of the first episode. The innovative idea was dreamt up by experiential marketing agency Pop2Life that also came up with last season's national launch campaign which consisted of custom-made fountains spitting fake blood. Fake blood fountains and fictitious news stands - we can't wait to see they do next season. - Lisa Evans
Light House Cinema, Dublin
Great surroundings will not camouflage poor programming in movie theaters. No matter how swanky the theater, if it shows poor movies, we just wont go. Which isnt to say that we have given up on movie-theater design. We still wish that one day, somewhere, someone is going to design a decidedly different, interesting and exciting movie theater.Glimpses of brilliance are visible in the new Light House Cinema (http://www.lighthousecinema.ie/index.php) at Smithfield in Dublin, Ireland designed by Dublins award-winning DTA Architects (http://www.dta.ie/) Of course, you really need to design and judge a movie theater so that it looks and functions best when people are using it. So, having not paid personal visits to the new Light House, we cannot say for sure, but the images we have received of the empty space indicate that the play of light, color and height works exceptionally well here.Light House cinema has been a bit of an institution in Dublin. It started showing Irish, independent, foreign-language, art house and classic cinema 20 years ago, closed in 1966, and re-opened this summer in its new, customized space. The four-screen, intimate art-house cinema includes a wonderful, inviting and open cafe that looks like something youd see at an art museum, not a movie theatre. The leader of the Light House project at DTA was Derek Tynan and the project architect was Colin Mackay.The new cinema benefited from the financial assistance of The Arts Council, the Irish Film Board, and the Department of Arts, Sport and Tourism. For Dublins city planners, this was to be a cultural magnet and a focal point for the largest mixed-use development ever in Dublins inner city, the massive rejuvenation plan for the historical Smithfield Market area. (http://en.wikipedia.org/wiki/Smithfield,_Dublin)And if youd like to make our wishes come true, please let us know of any supreme movie-theater design concepts youve seen, designed or commissioned. We are all eyes and ears. - Tuija SeipellSee also Home Theater (http://www.thecoolhunter.co.uk/house/Home-Theatre/) and AMC Pacific Place Cinema (http://www.thecoolhunter.co.uk/lifestyle/The-New-Movie-Theatre/) in Hong Kong.
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