Dupli Casa, a private residence by the Neckar river, near the old town of Marbach in South- Western Germany, is a wonderful example of connection and fluidity. It connects the inside with the outside, up with down, air with ground and most cleverly past with present and even future. From the outside, the three-storey concrete villa looks like a bit like some sort of a fiberglass motorboat job gone funny, yet it also manages to look immensely appealing and intriguing. From some angles, the structure appears to be standing upside down the lower exterior rim spilling onto the lawn and forming a part of a roof structure, if the building were to stand the other way around. It could have been blown there by the wind; it could be a StarWarsian vehicle frozen in place; it could be just taking off to outer space. The outdoor swimming pool and the white surface surrounding it seem like a perfect reflection of the house, almost as if the house had been face down on the ground, and when it was lifted off the ground, the process had left an imprint of a swimming pool on the ground and the large window opening in the house. The views from the inside are amazing, especially from the vast ground-level openings that again, give the sensation of flying, being airborne, weightlessness. Everything is fluid, flowing and smooth. All of this is very much in keeping with the main inspiration for the house. The new residence follows the footprint of the previous dwelling and its numerous extensions. The idea was to let the family archaeology continue in the new building. Its a house that remembers its beginnings in 1984 yet projects boldly into the future. Dupli Casa is the work of Jgen Mayer H., founder and principal of his cross-disciplinary studio. J. Mayer H. Architekten (http://www.jmayerh.com/) in Berlin. Other team members include Georg Schmidthals, Thorsten Blatter and Simon Takasak, plus Uli Wieslers architecture studio based in Stuttgart. - Tuija Seipell

Trust Melbourne (the city that holds Design close to its bosom) to be the home of the latest initiative from ANZ Bank; a Breakout Learning Centre designed by Hassell. (http://www.hassell.com.au/en.html)As the title suggests, this large, flexible, multi-purpose space is designed to encourage creativity, however it is in the execution that the freedom from constraints of a normal office environment is apparent. Forget about boring corporate colors, obvious branding and drab office furniture (in the style of hit series The Office). The use of unexpected materials and contradictory colors in the space and its furnishings produces startling results. Plywood, paint and patterned rubber with industrial raw finishes are topped off with a pop of fire-engine red and frog green! Various-size meeting rooms are equipped with state-of-the art technology to enhance the group experience. Perhaps my favorite design features are the Tree of Knowledge and the Giant Foot. Just like in a fairytale, the tree grows between floors in a natural raw shape reminding us that the childlike imagination is where creativity is ripest. Beneath the tree, the Giant Foot reminds us about reality and perception. Kate Vandermeer

Hector Serrano Studio (http://www.hectorserrano.com) has curated and designed the exhibition Spain Emotion as well as the communication campaign of the Spanish participation at this years Tokyo Designer's Week. The event is organized by the Spanish Institute for Foreign Trade (ICEX) and will take place in the Spanish Embassy in Tokyo from 30 October to 3 November 2008.More than an exhibition, Spain Emotion is a celebration of the best Spanish design in the Tokyo Designer's Week that encompasses not only this exhibition, but also conferences and seminars; a forum that provides with an exceptional opportunity to get to know at first hand those who are behind the products. The aim of Hector Serrano Studio this year is for emotion to be the guiding threads of their story, and the products its main characters. To this end, they have created a space that aims to surprise, entertain, seduce and encourage, rather than simply showing; four large stages where light dramatises and bathes the surroundings and the pieces in color. Color to communicate the vitality and energy with which the Spanish character is so often identified. In short, an experience aimed at revealing the latest in Spanish design, in a most emotive way. - Tuija Seipell