Trust Melbourne (the city that holds Design close to its bosom) to be the home of the latest initiative from ANZ Bank; a Breakout Learning Centre designed by Hassell. (http://www.hassell.com.au/en.html)As the title suggests, this large, flexible, multi-purpose space is designed to encourage creativity, however it is in the execution that the freedom from constraints of a normal office environment is apparent. Forget about boring corporate colors, obvious branding and drab office furniture (in the style of hit series The Office). The use of unexpected materials and contradictory colors in the space and its furnishings produces startling results. Plywood, paint and patterned rubber with industrial raw finishes are topped off with a pop of fire-engine red and frog green! Various-size meeting rooms are equipped with state-of-the art technology to enhance the group experience. Perhaps my favorite design features are the Tree of Knowledge and the Giant Foot. Just like in a fairytale, the tree grows between floors in a natural raw shape reminding us that the childlike imagination is where creativity is ripest. Beneath the tree, the Giant Foot reminds us about reality and perception. Kate Vandermeer
In a world where the latest buzz is all about design collaborations its refreshing to see one that is seamlessly and intrinsically linked with outstanding results. Carlos Campos (http://www.carloscampos.com/) is fast becoming a star-on-the-rise with his modern menswear collections featuring well-tailored pieces constructed using exceptional fabrics. His latest collection for Spring 2009 is a study in luxe sportswear with clean shapes, attention to detail and a clean palette of eggshell grey, crisp white and electric blue. The matching shoe collection by J Shoes (http://www.jshoes.com/) features all the same colors in patent, leather, canvas and the collections feature patterned fabric from as a highlight. Using J Shoes signature hand-crafted philosophy this collection merges function with form creating a new style of shoe that is neither classic nor casual but a comfortable in-between. The result is innovative, luxe footwear that just seems to work without trying too hard! Kate Vandermeer
Hector Serrano Studio (http://www.hectorserrano.com) has curated and designed the exhibition Spain Emotion as well as the communication campaign of the Spanish participation at this years Tokyo Designer's Week. The event is organized by the Spanish Institute for Foreign Trade (ICEX) and will take place in the Spanish Embassy in Tokyo from 30 October to 3 November 2008.More than an exhibition, Spain Emotion is a celebration of the best Spanish design in the Tokyo Designer's Week that encompasses not only this exhibition, but also conferences and seminars; a forum that provides with an exceptional opportunity to get to know at first hand those who are behind the products. The aim of Hector Serrano Studio this year is for emotion to be the guiding threads of their story, and the products its main characters. To this end, they have created a space that aims to surprise, entertain, seduce and encourage, rather than simply showing; four large stages where light dramatises and bathes the surroundings and the pieces in color. Color to communicate the vitality and energy with which the Spanish character is so often identified. In short, an experience aimed at revealing the latest in Spanish design, in a most emotive way. - Tuija Seipell
The TV world isn't exactly a trailblazer when it comes to marketing but we've discovered a fun exception. The series 3 launch of cult 'serial killer' TV show Dexter by Showtime took a guerrilla marketing approach to the launch, mounting fake pop-up news stands in heavily trafficked public spaces in cities across America including New York (positioned right by Central Park), Philadelphia (at 30th Street train station), Los Angeles (outside the Kodak Theater), Chicago (in the financial district) and San Francisco (Union square). The stands featured the show's star Michael C Hall on mock covers of high-profile magazines like Rolling Stone, The New Yorker and GQ. Snacks wrapped in suitably blood-red packaging also figured on the stands. The two-day pop-up pieces debuted on the weekend to coincide with the airing of the first episode. The innovative idea was dreamt up by experiential marketing agency Pop2Life that also came up with last season's national launch campaign which consisted of custom-made fountains spitting fake blood. Fake blood fountains and fictitious news stands - we can't wait to see they do next season. - Lisa Evans
Great surroundings will not camouflage poor programming in movie theaters. No matter how swanky the theater, if it shows poor movies, we just wont go. Which isnt to say that we have given up on movie-theater design. We still wish that one day, somewhere, someone is going to design a decidedly different, interesting and exciting movie theater.Glimpses of brilliance are visible in the new Light House Cinema (http://www.lighthousecinema.ie/index.php) at Smithfield in Dublin, Ireland designed by Dublins award-winning DTA Architects (http://www.dta.ie/) Of course, you really need to design and judge a movie theater so that it looks and functions best when people are using it. So, having not paid personal visits to the new Light House, we cannot say for sure, but the images we have received of the empty space indicate that the play of light, color and height works exceptionally well here.Light House cinema has been a bit of an institution in Dublin. It started showing Irish, independent, foreign-language, art house and classic cinema 20 years ago, closed in 1966, and re-opened this summer in its new, customized space. The four-screen, intimate art-house cinema includes a wonderful, inviting and open cafe that looks like something youd see at an art museum, not a movie theatre. The leader of the Light House project at DTA was Derek Tynan and the project architect was Colin Mackay.The new cinema benefited from the financial assistance of The Arts Council, the Irish Film Board, and the Department of Arts, Sport and Tourism. For Dublins city planners, this was to be a cultural magnet and a focal point for the largest mixed-use development ever in Dublins inner city, the massive rejuvenation plan for the historical Smithfield Market area. (http://en.wikipedia.org/wiki/Smithfield,_Dublin)And if youd like to make our wishes come true, please let us know of any supreme movie-theater design concepts youve seen, designed or commissioned. We are all eyes and ears. - Tuija SeipellSee also Home Theater (http://www.thecoolhunter.co.uk/house/Home-Theatre/) and AMC Pacific Place Cinema (http://www.thecoolhunter.co.uk/lifestyle/The-New-Movie-Theatre/) in Hong Kong.
Following their success in London's Knightsbridge, the Vendome team has done it all again by opening a sister venue in swanky Mayfair. (http://vendomemayfair.com/) Fed up with the minimalist design aesthetic that many a upscale West End venue has adopted over the past decade, club guru Freddie Frampton and interior designer Paul Daly got together to see what they could do to fix all this. And fixed it they have.The club is beautifully finished and has been designed to induce patrons back onto the dance floor. And why wouldn't you want to dance when the club has installed possibly one of the coolest dance floors that we have seen in a while. The circular interactive video floor cost over a quarter of a million pounds and can display film footage, graphic effects, logos etc. It is topped off with a raised, revolving DJ booth/bar in the centre. Think 70s disco floor meets the future.Off to the left of the floor are six individually themed VIP booths, each having being designed by the likes of Jade Jagger, fashion label Core and Dom Perignon.The club has a distinct retro/futuristic feel, part mirror maze, part Xanadu, part upper-class Jetsons space shuttle, and is sure to be a hit with London's glamorous Mayfair set (read socialites, WAGs and the occasional reality-TV star).So, head on down for a 'molecularly mixed' drink if only to check out the dance floor. Just mind you don't rest your drink on that darn revolving bar you may never see it again. We learnt this the hard way. - Brendan McKnight
In most cities, strategic downtown street corners are flanked by enormous, old banks, the ornate cathedrals of capital designed to impress and intimidate. With the massive changes in real estate values and consumer banking habits, such monuments to Mammon are no longer smart or necessary. But what amazing opportunities such massive commissions must have been for the architects of the day! And what depressing alternatives weve experienced since! Luckily, online banking has made a bank visit almost obsolete, but when you must visit, most of the time youll find a boring, convenience-store-type standardized box retail banking in the worst meaning of both words.But we are starting to see a change. Several new bank design concepts are in the works, and some have been launched recently, including CheBanca! in Milan by Crea International. (http://www.creainternational.com.) The concept for CheBanca! (translation: What a bank!) reflects the brands simplicity, transparency and innovation. When Crea International co-founder Massimo Fabbro will speak at POPAI Italia (http://www.popai.it/index.php?method=section action=zoom id=2811) in November on the power of physical brand design to bring to life a brand's language, spirit and values, he will no doubt mention CheBanca!And now that we have seen a few examples of fabulous bank design, we want more! If youve seen, designed or commissioned one, let us know. Tuija Seipell
Following the hugely successful launch of the consulting arm of the site, The Cool Hunter Platinum, (platinum/) the team is excited to announce our newest venture, The Cool Hunter Design, a graphic design studio. For more information contact bill@thecoolhunter.net
A glass of expensive champagne on a swanky rooftop bar just doesn't cut it in the competitive world of product launches, which are all vying for VIP attendees and press coverage. Chanel decided to think outside of the square for the launch of the brand's new perfume, Eau premie, staging the event at a private Parisian apartment. Chanel recruited acclaimed set, window and interior designer Jean-Marc Gady (http://www.duendestudio.fr/) to create an experiential event for guests, a "scenography" tasked with bringing the new fragrance and the heritage of the brand to life. Gady has created spaces for the likes of Louis Vuitton, Moet Chandon and Apple. The designer transformed the apartment into a set, which guests were encouraged to explore as the event played out. While they played with artfully arranged test sprays, a fountain sent drops of the new fragrance into the air, sweetly permeating their senses. The evening ended with the unveiling of large format photographs of Chanel's iconic "faces" over the years, from Marilyn Monroe through to Nicole Kidman. - by Lisa Evans
Aesop continue to deliver outstanding, intelligent and considered design in not only their product but with their individual approach (stores/Aesops-Glass-Bottle-Store---Adelaide/) to each retail concept (stores/AESOP----Skin-Care-That-Thinks-Outside-The-Box/) store they launch. Their latest offering in Zurich embodies this philosophy perfectly. Utilising a long, narrow space to advantage, the focal point of the store is located in the center of the space allowing consumers to walk around and interact with the products which are located on a series of suspended shelves. Theres a sense of weightlessness and room to breathe due to the fact that the shelves dont make contact with the ground and only the necessary products and shelving is featured. The repetition of the shelves seem to co-exist with ease but not at the peril of functionality. Using Aesops signature store sensibilities of incorporating water, merging modernity and recycled materials and not over-designing or adding unnecessary objects, this Zurich store is no exception. Kate Vandermeer.
Big boys who like toys head to I-Way, a luxe, mega venue dedicated to motor sports racing simulations. I-Way (http://www.i-way.fr/site/I-WAY.html) provides aspiring speed racers with an opportunity to experience the adrenalin rush that comes from being behind the wheel of a Formula 1, Endurance or Rally car. The high-tech simulators offer real "piloting" sensations, mounted into a real car, which is experienced through several screens which surround the driver's field of vision.The venue is pitched at corporate groups, who, presumably can bond over high speed racing sessions - and all without creasing their polo-necks. To enhance the experience created by the simulators drivers suit up in race outfits, helmets and gloves.I-Way's modern design hits its target market perfectly with wide open spaces, industrial finishes and futuristic reflective surfaces. It's boys playing with expense toys - luxe style. Located in Lyon, France, the venue also houses a bar, a shop (which sells cool motoring accessories) and bizarrely, a gym and spa. Anyone for a round of weights and a facial in between races?Have you seen any other glam big boys venues like I-Way? Send us a tip.
This Week on our sister site - Fashionation (http://www.fashion-ation.net)
We've officially entered the age of the babester - where anything and everything to do with babies has undergone a designer revolution. Just like mum and dad, babesters can now enjoy design from head-to-toe and beyond; skinny leg jeans just like dads and an organic meal eaten from a glamorous designer high chair. The newest babester brand to hit the kiddie shelves is Quinny, (http://www.quinnydesign.com/) designed by edgy Danish fashion designer Henrik Vibskov. (http://www.henrikvibskov.com/) The designer demonstrates his mutli-dicilpinary skills in the range, which consists of graphic print baby hardware and accessories including strollers, bags and sunglasses. With so much to look at, a walk in the park for baby will never be the same again. - Lisa Evans
Shuhei Endo's steel, wood and glass structure, Bubbletecture H, inflates ominously out of the Japanese landscape. The visitor center, built in a valley between Osaka and Hiroshima, was planned in three sections housing a theater/lecture hall, a bookshop/galley and a workshop. Endos design aesthetic throughout his career has focused on numerous experiments with steel and the seemingly limitless possibilities the material has in the built environment. He continually sets out to prove that architecture can possess diversity while simultaneously following the rules of geometry, and Bubbletecture H is certainly not an exception. Endo has a phenomenal ability to place anything he designs within nature. The visitor center is a structural geometry of bubbles from afar. But close up, the surface appears to mimic the faceted planes on the surface of a diamond. A minimal number of windows prevent this building from glimmering in its valley. Instead, Endo subdued his design with rusted steel and occasional moss surfaces to sit within the surrounding forest additionally meeting his clients desire to educate the people living in the Hyogo prefecture, as well as anyone else who visit on global environmental concerns. Drawn from concepts found in traditional Japanese vernacular architecture, the superstructure was prefabricated from local Japanese cedar. Prefabrication minimizes both economic and environmental impacts less material to transport shorter distances instantly reduces carbon emissions released from the onset of the project. And like a cliff temple, the supporting structure clings to the earth only where necessary the building is over 10,000 square feet in size, but it is connected to only sixteen deeply buried five-foot wide beams and thats all that goes in the ground. The concept for the design of Bubbletecture H thoroughly examines natures cyclical systems. Circulation through the three functional sections of the building is apparent in the rational built form connecting these spaces across the landscape. Another set of systems cycle and collect rainwater that falls on the buildings surface and reuse it for irrigation. And perhaps the most significant systemic process, the life cycle of the entire site, has been acknowledged, as green technology oozes from practically every surface. Endos exhibition dedicated to environmental studies hopes to heighten peoples awareness in their surroundings and by raising awareness improved care is imminent for the valley and its environs. - Andrew J Wiener
It must be said that the team at Mini Cooper know how to put on a good party. We can vouch for that after having just spent the last few days hanging at the MINI Rooftop NYC (http://www.minispace.com/en_us/projects/mini-rooftop-nyc/) an urban oasis high above the daily grind in Hells Kitchen on 10th Avenue and 36th street. The space was put created as part of a 10-day event which brings together art, music, culture, fashion and design all inspired by the concept of 'Creative Use of Space' the mantra used by Sir Alec Issigonis when he invented the MINI way back in 1959. Throughout the event artists, designers and other creative types were given the opportunity to showcase and explore their creativity in a series of workshops, presentations, discussions and of course, parties. The space also doubled as a post-party chill out zone as well as an early morning venue for yoga and pilates sessions.Surprisingly, besides from a couple of specially designed MINIs that are shuttling VIPs from their hotels to the roof, the space is completely unbranded with not a single logo in sight, which we found extremely refreshing. No one likes an in-your-face corporate gig.The rooftop space was designed by HWKN (http://www.hwkn.com/) founders Matthias Hollwich and Marc Kushner - two young architects who are set to take the world by storm. Their passion is creating innovative and responsible spaces. They employ the idea of Econic Design - a term coined to fuse ecology with the iconic- in everything they do, After scouting over 150 rooftops, the duo finally found the perfect space; one that boasts amazing views of both the Manhattan Skyline, as well as the Hudson River. New York is more of an infrastructure than a city, and ever since it was founded, the inhabitants have struggled to make the city usable and more human. The concept of the rooftop is to support New Yorkers in this aim by galvanizing an untapped space. The city's roofs offer view, clean air, and almost a vacation from the city. The idea is to transplant iconographic elements from nature into the city - but to treat it with an urban approach this is especially true when you look at our design features including the grassy hill that rises out of the aluminium gridded floor explain Hollwich and Kushner.Other recent projects from the HWKN team include Formiga, an open-air theatre in Rio de Janeiro, two large-scale apartment renovations on New York's Upper East Side and a whole range of concept designs such as the Hybrid House, high-rise building Magic Mountain, and MEtreePOLIS, an urban vision for Atlanta 2108.We are especially impressed by their design of the White Plant the New York headquarters and production space for Japanese artist Murakami. In this project, the team negotiated the relationship between the old and new by thinking of the existing industrial space of this vacant warehouse as a quarry. Here they have purposely juxtaposed and inserted a misfit of elements, unified by continuous layers of white to create a curious and multilayered blank canvas space perfect for the madness that you would expect from Murakami and his Kaikai Kiki collective. Back to the rooftop; we would hate to name drop, but you must be doing something right (or have amazing contacts) if you are graced with the presence of Mary-Kate Olsen, Diane Von Furstenberg and model de jour Agyness Deyn in the first few days. Add those to sets by some of the coolest bands and DJs including MGMT, Cut Copy, Sneaky Sound System and DJ Diplo; this is the place to be to celebrate (or mourn) the end of summer. - Brendan McKnight