The
Dark Knight (which opened last weekend), started surfacing a few weeks ago, I
couldnt help but be cynical. Critics, reputable ones, used words like "brilliant (Rolling Stone) and terrifying (New York Times) to describe the
late Heath Ledgers performance as the Joker. Folks were chanting Oscar
before the thing even got spooled up on the reels.
In stills from the film, the character appeared
shabby and greasy like Johnny Depps Willy Wonka with a bad hangover. And how
brilliant could a grown man in smeared clown makeup possibly be? Were
talkin Batman here, not Gone With the Wind.
And then I saw The Dark Knight for myself. All I can
say is HOLY CRAP!
Its tempting to bust out all the appropriate
critic-speak (multi-layered, nuanced, electrifying, etc.), but none of it
would be adequate to describe how amazing Ledgers Joker truly is. Its almost
as if the drab clothing and half-assed makeup (it looked half-assed, but was
somehow perfect) created an empty vessel for the actor to fill with a numbing,
complicated evil.
Director Christopher Nolan promised that we would
be blown away by the Joker. And I am. Unlike the vain, stylish Jack Nicholson
Joker from Tim Burtons 1989 Batman, Ledgers villain is intelligent, droll,
unspeakably cruel, and absolutely relentless. Its not greed or a lust for power
that drives him: Its a sociopathic rage so deep that he seems to have
forgotten exactly where it came from.
And if the empty vessel idea seems a bit on the
philosophical side, Nolans interpretation of the character is very much a
study in Eastern philosophy and Western psychology. In a particularly tense
scene with Aaron Eckhart (in the dual role of good guy Harvey Dent and bad guy
Two-Face), Ledgers Joker, disturbing even in a nurses uniform and a wig, sums
it up like this: Im an agent of chaos and we all know what chaos is. He
leans into Eckhart and mutters seductively, Fear.
As with all great film villains, this Joker is also
charming as hell. He may be Gacy-style crazy, but the guy never loses his cool.
And even though this film is two and a half hours long (youll need a catheter
to watch the whole thing comfortably), it flies by. In my estimation, Christian
Bale as Batman is kind of an empty (bat)suit compared to the titanic talent
of the supporting cast (Eckhart, Morgan Freeman, Michael Caine, Gary Oldman,
Maggie Gyllenhaal). But, with Ledger around, it hardly matters. Batman is
simply there to give the Joker something to do.
I can say, unequivocally, that I believe Ledger deserves an
Oscar for this performance and not because he got robbed for 2005s Brokeback
Mountain (as did director Ang Lee, who should have won Best Picture over the
forgettable Crash), but because hes created a truly iconic character. And,
though critics suspect Ledgers posthumous Oscar will remain out of reach
because the Batman franchise is viewed as popcorn fare, I would argue that
his performance is every bit as thought-provoking and intense as Javier
Bardems villainous turn in 2007s No Country for Old Men. Bardem, who won
Best Supporting Actor last year, played a similar character in the film but
his role required only a fraction of the vivid, warped mania that Ledger had to
conjure for The Dark Knight.
Though Ill refrain from buying into the rumor that
the sleeping pills and anxiety medication that caused his accidental overdose
were a byproduct of the role, I will say that its a shame this talented guy,
only 28 at the time of his passing, couldnt have stuck around longer. Jeff
Robinov, president of Warner Brothers Pictures Group, told the New York Times
that, in light of the tragedy, director Nolan felt a massive sense of
responsibility to do right by Mr. Ledgers terrifying, amazing performance.
He has done exactly that. And if this is to represent Ledgers
final work (he died during early production for Terry Gilliams The Imaginarium
of Doctor Parnassus), we could hardly have asked for better.
Hopefully, the Academy will put aside the hype and the biases this January and give Ledger the nomination (and the Oscar) he so richly deserves.
Wendy Case is the MOLI View's contributing editor for Arts & Entertainment.
I went to the Capsule show at the gorgeous and historic Angel Orensanz Center in NY. Capsule showcases new brands and designers for buyers, stylists, and moi. My friend Greg and I went and were even photographed a few times while we were there. As we walked around, I decided I would feature one of my favorite items of clothing from life and from the Capsule event: T-shirts. You can never have too many of them, I always say, and so fell in love with a bunch at Capsule. I also was enamored of a certain denim you will hear about. I guess I am really just a tomboy at heart, just like my grandmother, and T-shirts and jeans will forever be my fashion staples.
Into the Capsule we go.
Cavern is based in L.A. Artist /Designer Adam Tullie greeted us and proceeded to show us his framed artworks, which he prints on the T-shirts. The collection is called Desert Wind and it is for Spring 2009, but I want it all now. Perfect soft T-shirts are dyed, washed, and hung in the sun to fade into dusty grays and purples, then printed with falcon crests, weaves (pictured), Native American neck pieces, hawks, peacocks, and nomads. I also found out they sell them in my neighborhood at the store Oak.
Another line I quite like the tees of is Cassette, also based in L.A., and sold at Steven Alan whom I know from taking an acting class with him some years ago - what a great guy. For Spring 2009, Cassettes Homme line features soft white T-shirts with cool prints and cute names like Press Play, which looks like a Native American/African design. My favorite one had a zebra print on it and said Cassette across it in red in a new-meets-classic punk design. Their jeans have cute names: VHS and BETA (I love when a brand sticks to their concept), and they have some garments made of bamboo.
My friend Gregs favorite T-shirts that he owns to date are by Endovanera, also based in California. The over-all line is quite gorgeous with beautifully cut, draped, and thoughtfully-built clothes for men and women, in blacks and whites and muted colors. The T-shirts are very simple and very chic, some with buttoned collars.
The denim I must tell you about comes from the selfproclaimed Denim Nerd: Brandon Svarc of Montreal. Naked & Famous Denim is made from rare and raw denim. Brandon showed us many jeans, including a pair that are 30 percent silk and a pair made from the strongest denim there is, which seems like it really was (we touched it all). He said this pair was so strong they were good for wearing on a motorcycle ride. This man was seriously passionate about his denim; he really is a denim nerd. The denim is raw, simple, and special -- some of the new collection is Japanese selvage denim, made on old-style looms, the finest and most rare (and expensive) denim there is. He laughed when he said "most expensive," because Svarc's jeans are not as expensive as many other companies' and are actually higher in quality.
There is a fit guide on their site and they are made for both men and women. The name of the company is a fun poke at todays celebrities, the logo a 1950s throwback a la Roy Lichtenstein. May this Denim Nerd prevail over the rest.
To wrap up, I say take Capsule for two days and call me in the morning.
Theo Kogan is the MOLI View's contributing editor for Fashion & Design. Her THEOlogy column appears Tuesdays and Thursdays.
About a year ago, I went along with my girlfriend to go fishing for the first time. We were in Rhode Island, and it was early evening along a cut in the shore where freshwater and saltwater meet. After a few attempts at casting, I sat down on a bucket and watched her fine form as she reeled in her line, checked her lure, and cast again, avidly. After that, I figured I loved everything about fishing. The water lapping against the shore was soothing to my overactive mind, I tuned into nature and that opened my heart, and that's what I thought fishing was all about. However, this summer, to my great surprise, I caught a fish. A big one. And it totally freaked me out.
I had a small rod from my girlfriend's parents' basement, and a wiggly two-dollar rubber lure called a plug. She gave me instructions: to cast the line as far as I could, let it sink to the bottom, slowly reel it back, then cast again. So I did. And I did it again, and again, until I got a certain feel for the rod. Anyway, the line started casting out farther, and each time the line came back, it had less and less seaweed attached to the lure.
Then the crazy thing happened. My rod started having fits and starts and my easy reeling-in pattern was broken apart. I was suddenly alert, but the sky was pitch-black and the life of a fish was on the line, a two-foot bluefish with sharp teeth. I wanted to fight, to win, to pull it to shore and see it because it was fighting with me.
I dragged it up about three feet from the shoreline, and the fish let go of the line. Smart fish, I thought. I better get the net. As I ran to find it, I knew I wanted that fish. We netted it, then watched it flopping around and biting through the string. My girlfriend dragged it 15 feet up the beach. That's when I backed off, because I was the one killing it, and I knew it wouldn't die fast.
I turned my back to look back into the dark. I listened to the fish breathing very deep sighs. It struggled for five long minutes, and I stood still, pretending it didn't matter.
The next night, the two-foot, six-pound bluefish was the center of a big meal, and my girlfriend's parents and family sat around the table. In the midst of many pats on the back, I gave her major kudos, because she had done the dirty work: gutting the fish and filleting it, marinating and grilling it to perfection. With some mix of shame, pride, and hearty appetite, I ate the fish I killed.
Will I fish again? I'm not sure. Hunters and fisherman, how goes it by you?
Juliana Luecking, aka Queen Juliana, is a MOLI View contributing editor for Life & Love.
To the casual observer, it looks as though superheroes are saving the movie business. The Dark Knight just brought in more than $150 million at the box office this weekend, beating the record set by Spider-Man 3 and showing once again that late-night screenings attract geeks dressed in costumes. Just two months ago, Iron Man grossed more than $100 million in its opening weekend. Every week it seems another record is set even if its only one for the best four-day-weekend opening in August.
All of this talk about records obscures an undeniable fact: Fewer people are going to the movies than ever before. So far, this years domestic box office total is down just one percent, according to The New York Times. But the number of people going to the theater is down 3.7 percent which is bad news for theater owners. Since they give most of their ticket proceeds to the studios especially in the first few weekends, when demand to see movies is at its highest theaters rely on sales of refreshments and advertising to make a profit. To them, fewer people means less popcorn, and less popcorn means less money.
As several articles have pointed out, movies earn less in the U.S. than they did years ago relative to their cost the Times points out that the 1989 Batman earned $40 million in its opening weekend more than its $35 million budget and went on to make $251 million total. By that measure, The Dark Knight looks as grim as its trailers it is reported to have cost about $180 million, and modern blockbusters often do a third of their business on opening weekend.
This sounds like bad news for Hollywood, but it isnt. As U.S. box office grosses decline, international business picks up, especially in new markets like China. And income from other sources DVD sales, TV pay-per-view, and even iTunes continues to increase. These new revenue sources now shape the movies that get greenlit for good and ill. The fact is, theater attendance has been declining since the '50s, when television was introduced, and the popularity of DVDs has only fueled the trend.
Ironically, the fact that it's so easy to watch movies at home seems to have compressed the window in which films can pack theaters. Hardcore fans who really want to see a movie now do so in the first couple of weeks, while everyone else seems to wait until they can watch it on DVD. Transformers brought in an impressive $150 million on a holiday opening weekend last year, but that was almost half of what it made in the U.S. Then, when the movie came out on DVD, it sold 8.3 million copies its first week in stores. Most of those buyers are people who, years ago, would have seen the movie, or seen it again, in a theater.
So the movies are fine. But the movie theaters might need saving.
Robert Levine is the MOLI View contributing editor for Business and Technology.
"The logo is terrible," Asya said. My friend Tony's wife despises that 2112 London Olympic Games logo and reiterated the fact as we sat down to lunch in the members' room of the Tate Museum. We looked out over the Thames River and Asya went on to say that animated versions of the graffiti-inspired image have reportedly caused seizures.
"Hey," I said, "if a couple of people have to suffer seizures in order to push the envelope, then so be it."
England's dreaming of Olympic glory will most likely be on hold, in terms of next month's Olympiad. Dwain Chambers went from favorite to retired runner, seemingly overnight.
Couple this with Tigers Woods's absence from the British Open, and the outlook this week was as glum as London's weather. (But not as bad as this horny guy, who can't even go near farms anymore.)
Regardless, a look at the landscape shows cranes link up everywhere. While much of the activity is connected to the 2112 Games, most of it is part of the ongoing updating and improving of the historic structures in town. Before lunch and a viewing of Cy Twombly's daring light explorations, we stopped by St. Paul's Cathedral. The war-surviving Protestant church was under repair and tourists were being charged 10 to see the joint. Considering the unfortunate exchange rate, me and my crew just said fuck that shit.
Not to give you a seizure, but I had an amazing time not following sports for the better part of a week. I've not logged on to ESPN since Monday, couldn't tell you who won the MLB All-Star Game. I don't know who Madonna is screwing and haven't been near a gym. The closest I've come to intense exercise is minding the gap. Because of my prospective in-laws, I do know that Mark Cavendish won a record four straight stages of the Tour de France and that Gordon Taylor's Professional Footballers' Association is coming out of its 100th anniversary. Kudos to them.
I'm set to hit Paris in time to catch the Tour's end. And Tony stands poised to give me updates via e-mail and such. But I'd like the conclusion to be an utter surprise. I don't need no stinking updates. I'm on vacation.
Donnell Alexander is the MOLI View's contributing editor for Sports & Fitness. He posts Mondays and Thursdays.
Early this week, I wrote about how the Blu-ray drive in the PlayStation 3 is changing the video game business. Sonys console is built for gaming, but features like Blu-ray and online connectivity make it a home entertainment system in disguise. So is Microsofts Xbox 360.
Its no secret that Sony and Microsoft are fighting to establish a footprint in the American living room. Thats why theyre both willing to lose money selling consoles they think theyll make the money up on games, but also with online services and video on demand. For the past few years, however, both companies have gone out of their way to market their machines as game consoles, which only made sense. What self-respecting gamer is going to buy a movie machine?
All three companies fought for the family market during their annual presentations at the E3 industry conference. Microsoft made the case that its Xbox 360 is a full-featured home entertainment system, complete with the ability to download TV shows and movies, through a deal with Netflix. Sony announced its own movie service, and pointed out that its PS3 already supports the movie format of the future. Both showed impressive games, but the hardcore gamers who are waiting for them have already bought a console. Now theyre fighting over the family audience.
So far, Nintendo has captured most of that audience not only because the Wii is delightfully easy to use, but because the price is right: $250. And, to the despair of fanboys, Nintendo kept pushing its family appeal. Its new Animal Crossing game is like MySpace for the stuffed animal crowd. And Wii Music seems made for the younger siblings of Guitar Hero fans.
Nintendo has no broader home entertainment strategy. The Wii isnt meant for TV, movies, or music just plain old games. And in an age of integrated entertainment, some analysts suggest it wont be nearly as appealing.
I dont believe this for a minute. For hardcore gamers, the 360 or PS3 are the obvious choices. But I think families will stick with the Wii. As we head into a recession, the Wii looks like a bargain and Nintendo could easily lower the price without cutting into its profit. For many adults, renting movies through a game machine just sounds confusing whether it actually is or not. And while Xbox Live is optimized for gamers, Nintendos online service sacrifices ease-of -use for security features that make parents feel better about who their kids are talking to. These kinds of features are why Nintendo is winning this round of the console war and why it will keep on winning for at least another year.
Robert Levine is the MOLI View contributing editor for Business and Technology.
The funny thing is, once youve seen these bears walk through your backyard every day for a few days, you stop being scared. After all, theyre only black bears: herbivores, not people killers. I mean, Im not going to be like Jim, the guy who lives behind us, who walks up to the bears and hands them scraps. Jim leaves food out every night. He even has rigged up various treats for the bears I dont know if theyre honey pots or salt licks or what so that the bears stand up on their hind legs and lick from a post, and sit on his couch, and generally make themselves at home around his fire pit. Then they make their way down the street, to the other guy who feeds them. Or they cross the street and rummage through the restaurants dumpster down the hill.
Were walking down the road back to the house from Lake Superior, and the big bear walks out of the bushes 25 feet ahead. He looks at us, mostly at our Yorkshire Terrier; he seems far more scared of little Otis than Otis seems of him. Then he walks on by.
The Upper Peninsula of Michigan is a place unto itself. Tucked between three Great Lakes, it has the same land mass as the lower peninsula of the state but only three percent of Michigans population. The UP has a lot in common with other north-woods locales, like Alaska, Maine, Canada. But generally unknown, unsung, and not much loved, its about as hick as you can get. The county where Ive laid my hat for a month, Ontonagon, has been losing population. Its a great place to get away from it all, as long as you dont get caught up in the local dramas of domestic violence, pillheads, neglected children, etc.
Ive been coming here for 40 years now, almost every summer. There may be nothing that makes me feel more at peace with myself than walking down the sandy Superior shore, looking for agates and curious pieces of driftwood. I can walk for a mile without passing a soul. The sun sets over the endless horizon of water as big as a sea, you know around 9:30 this time of year. So every summer day is like two days, paradise doubled.
The tourists have never really discovered the UP, perhaps because the bearable (ha, ha) season here between snowstorms and black-fly invasions is so short. The ursine residents have made our little back street in Silver City a bit of an attraction for what sightseers there are; a couple cars drive by every night, peering into the woods for dark shapes.
Were staying in a cute, comfortable mobile home: wood paneling, soft carpets, those old metal glasses that make everything taste so cold and delicious, canister vacuum, cribbage board you get the picture. Nestled at the foothills of the Porcupine Mountains, Gabes Getaway is a short walk to the beach and a great deal.
At any rate, I finally have the answer to a variation on that old riddle: Does a bear shit in our yard? Every day.
Evelyn
McDonnell is MOLI's editor at large. Her Populism blog runs Tuesdays and Thursdays. Today, she is trading places with Travel & Leisure editor Cathay Che.
I know not eating meat is the best thing I can do for the environment, for animal kind, and for my own body. I just need a little help doing the right thing. It took me several attempts over many years just to give up Diet Coke (and the promise of a trip to Paris, if I stay off the evil liquid for three years).
I gave up meat once before, in the '80s, after reading that 90 percent of the beef grown in Nicaragua was exported and that the average Nicaraguan ate less beef per year than the average U.S. house cat. For some reason, that particular statistic really hit me.
Then I got pregnant with my son in the early '90s, an event announced by an overwhelming craving for a chili dog. So out of character was this craving, that my roommate insisted he would only drive me (I didn't have a car back then either) to get a chili dog if I agreed to stop and take a pregnancy test first.
I've been giving into that craving for nearly 17 years now.
Since then, the toll of eating meat has become even more clear: