Following their mega-successful debut double shot of 1994’s Definitely Maybe and 1995’s (What’s the Story) Morning Glory?, Oasis were poised to rule the rock game. But 1997’s underwhelming Be Here Now put an end to that.
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Ever since, the band has been stuck in rock'n'roll Triple-A. Not quite major leaguers on par with Coldplay, the Chili Peppers, or Radiohead, but able to fill arenas nonetheless. And even though the new Dig Out Your Soul is a welcome return to the supersonic guitars and straightforward songwriting of those early albums, Oasis’s cultural moment has passed. The brothers Gallagher won’t be getting called back to the bigs anytime soon.
But for sheer entertainment value, they deserve better. It doesn’t matter that Noel has no longer got a multiplatinum platform, he still talks like everyone’s listening, whether that means beefing with Jay-Z or ragging on Radiohead.
I love it.
And Liam is no quote slouch either. Take, for example, the following Wildean zinger, leveled at the fool who tackled Noel in Toronto: “If it were up to me, I’d have cut his dick off and made him eat it.” Not exactly something Chris Martin would say. Come to think of it, what is something Chris Martin would say? Only Gwyneth knows for sure.
And that’s why we need Oasis. Slagging people in the press, public intra-band squabbling, releasing albums of tunefully kickass guitar rock, speaking in a British accent -- this is what rock stars are supposed to do! Now, it just so happens that rock stars are a little like dinosaurs these days, but guess what? Dinosaurs are awesome.
We've heard Paramore's new theme song "Decode," had a peek into author Stephenie Meyer's musical world, and even studied the tracklist for the teen vampire series' eyebrow-raising soundtrack. But where's the drama? The action? The romance? Look no further, dear Twilight fans -- the official trailer has finally arrived and it's jam packed with all the gushy stuff!
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>> Listen to Paramore's New 'Twilight' Song!
Sink your, ahem, teeth into the video below. And sound off in the comment section below. Bubbling with excitement? So is Paramore's Hayley Williams. Aren't you, Haley?
Twilight Movie Trailer:
From the release of their sophomore effort, Pretty. Odd, to a visit to London's Abbey Road studios, to their exhaustive North American tour, Panic at the Disco have had a very busy year -- and according to frontman Brendon Urie, the band doesn't plan to let up.
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In a recent interview with Billboard.com, Urie said the quartet have been "writing non-stop" since the completion of Odd, and that their yet-to-be titled third full-length could arrive in spring 2009. According to Urie, the new material's sound is similar to Odd's classic-rock revivalism: "There's so much music we haven't discovered from 30 years ago or more. We're still trying to pick up on that stuff."
Until then, fans can hear Urie on Fall Out Boy's forthcoming full-length, Folie A Deux, along with many other diverse collaborators.
Beck rarely puts on a conventional live show. In fact, the eclectic artist has incorporated puppets, pinstriped suits with lights, and a fully stocked dinner table into his previous tours.
Thursday, the SoCal slacker pulled out all the stops for his appearance at Harlem's stylish United Palace Theater, bringing a film crew, a massive lights display, and a buzz-worthy opening band for night two of his three-gig New York engagement.
Longhaired Brooklynites MGMT kicked off the evening with renditions of "Electric Feel," "Time to Pretend," and "Weekend Wars" off their celebrated set Oracular Spectacular.
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Then Beck took the stage and slid into the unmistakable guitar licks of "Loser," which led to a raucous sing-along in the spacious theater.
The rest of the set was a tour through his funkiest hits off 1996's Odelay ("Devil's Haircut"), 1999's Midnite Vultures ("Nicotine & Gravy"), and 2005's Guero ("Black Tambourine"). More recent tunes like The Information's "Nausea" and Modern Guilt's "Orphans" also made their way into the set list.
While the genre-bending musician looked ageless in a wide-brimmed hat and dark jacket covering an oversized checkered flannel, his moving performance of somber acoustic ditty "Lost Cause" revealed the troubadour's old soul. Beck remained mum, wasting no time between songs, and finally closed the evening with a beats-heavy version of "E-Pro." The dazzled audience clapped along and followed the star's lead, chanting in unison, "Na na na na na na na," while dancing to the fuzzed-out guitar riffs echoing to the rafters.
Check out pictures from last night on page 2.
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As Election Day approaches, many musicians are stepping up efforts to rally voters to the polls come November 4. The latest to vote with their instruments? Hip-hop luminaries the Beastie Boys, staunch Obama supporters who just unveiled a handful of "Get Out and Vote" shows.
"This election is too important to stay at home," the rap trio told Billboard.com. "We hope that you can come out, have a nice night, dance, sing, get your freak on, and then wake up the next morning and get everyone that you possibly can to get out and vote."
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The mini-tour -- set to hit three swing states decisive to the election -- kicks off October 28 in Richmond, VA, and is followed by shows in St. Paul, MN, and Milwaukee, WI, Nov. 1-2, respectively. The shows will also feature performances by such artists as Norah Jones, Sheryl Crow, Santogold, Ben Harper, and Tenacious D.
Beastie Boys' "Get Out and Vote" dates:
10/28, Richmond, VA (Richmond Coliseum) (w/ Sheryl Crow, Norah Jones, Jack Johnson, and Santogold)
11/1, St. Paul, MN (Roy Wilkins Auditorium) (w/ Ben Harper and Tenacious D)
11/2, Milwaukee, WI (U.S. Cellular Arena) (w/ Ben Harper, Crosby & Nash and Tenacious D)
Legendary Led Zeppelin frontman Robert Plant may have recently refuted rumors that he's reuniting with the band for a world tour -- but according to, er, Twisted Sister screamer Dee Snider, that doesn't mean that the Zep's efforts are kaput.
Apparently, remaining members Jimmy Page, John Paul Jones, and Jason Bonham -- son of deceased original drummer John Bonham -- are threatening to recruit Myles Kennedy, lead singer of God-rock Creed offshoot, Alter Bridge, as a bargaining chip to convince Plant to change his mind.
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Said former cross-dresser and one-time fictional Internet predator Snyder to MuchMoreMusic: "They're saying [to Robert], 'We're all rehearsed, we're ready to go, here's a gazillion dollars on the table. If you don't do it, we're going out with this kid. And he can sing the shit out of Zeppelin.' And they're gonna, like, hope that Robert, at the last minute, will go, 'OK', and step in…" [via Idolator]
We're not entirely sure how Dee Snider is privileged to such groundbreaking news, which makes us a little suspicious. (We weren't able to reach Zep's management by press time.) But still, a Led Zeppelin reunion without Robert Plant? Do fans really to want to listen to this guy sing "Black Dog"? We think we know what Led Zep fans' reaction is going to be to this rumor.
What? Originally released to rave reviews -- including SPIN issuing 8 of 10 stars, calling it a "a damn beautiful album" -- this adventurous Britpop quintet's 1998 debut, Bring It On, has become a timeless entry in the '90s Britpop oeuvre. Winning Britain's esteemed Mercury Prize in '98, the album -- from its psychedelic, bluegrass-tinged first single, "78 Stone Wobble," to the somber acoustics and whispers-in-a-tin-can vocals of "Tijuana Lady" -- drops yet again Oct. 14 as a reissue with extra live takes and B-sides to honor its 10th anniversary. As a stepping-stone, Bring it On helped launched the band's career, which today encapsulates five full-length albums.
Who? Formed in '96 by frontman Ian Ball and drummer Olly Peacock -- who had played together in heavy metal band Providence -- before joining with Ben Ottewell (vocals, guitar), Paul Blackburn (bass), and Tom Gray (vocals, guitar, keyboards), Gomez signed with Virgin offshoot Hut in '97 on the strength of their demos -- which would soon become Bring It On. Three more albums followed -- including 2002's Liquid Skin -- before they were dropped by Hut in 2005. A deal with Dave Matthews' ATO Records ensued, as did a new album, 2006's How We Operate, their most recent as a band. Luckily for fans, singer/guitarist Ian Ball has since struck out solo; his latest collection, Who Goes There, dropped in October 2007.
Fun Fact: Even in the music world, Brits are extremely passionate about their soccer teams. Both Ball and Gomez singer/guitarist Tom Gray share a strong love for the Liverpool-based "football" team, Everton.
Now Hear This: Gomez, "Here Comes The Breeze"
This past weekend, San Francisco's Golden Gate Park welcomed the eighth annual Hardly Strictly Bluegrass Festival, with its truly eclectic bill, including Gogol Bordello, Emmylou Harris, Robert Plant & Alison Krauss, Elvis Costello, Iron & Wine, and Bonnie "Prince" Billy, among others. Another performer: country-lovin' indie-rocker Ben Kweller.
Kweller played, but he also watched scores of live sets. Here, the ragamuffin Texan offers his best of the fest and chats about the importance of the bluegrass and country to the indie-rock scene.
"I just love their live show because it's really upbeat, exuberant, and energetic. They're well known for their cover of 'Gin and Juice' by Snoop Dogg. It's a fun and kind of fast country version. And they actually played it! I thought they stopped playing the song because they were bummed about that being the song they were known for. But I was actually happy to hear it. I'm a big fan of their early stuff, their first record. It's just good old shit-kicking country music."
"I'm glad I got to see Emmylou Harris, and I actually hung out with her backstage. She's been around for so long and done so many great and different things in her career, ya know? Elvis Costello's show was really good, too. He brought up Emmylou and Jim Lauderdale, who's a well known songwriter out in Nashville. Jim's really cool -- we actually talked about getting together in Nashville and writing some songs. Elvis was great; he did a lot of covers, including 'Love Hurts' with Emmylou. Man, it was good. He also played Van Morrison's 'Wild Night.' I thought that was interesting."
"I think they fit into the 'hardly' part of the festival, just like myself. It's a lot more traditional, old-school country and western style, and I think Sam's [Beam] songs work in there, too."
"Their show was the most extreme and not really in the bluegrass realm. It was incredible -- off the charts and energetic. In fact, everyone was saying it was the first ever moshpit at Hardly Strictly Bluegrass!"
"Four old guys from Kentucky, singing around one mic with upright bass, mandolin, guitar, and banjo. It was really cool to hear stuff like that. They're what I really came to the festival wanting to hear -- some real down home bluegrass. And they totally delivered. Their playing was so impressive and the songs were great. It was so relaxing to kick back and get right up to those speakers."
"The whole festival was really cool. Check it out because you're going to hear a lot of music that you've never heard before that will just blow you away. That's how it was for me. I hadn't heard of so many of the things, and once I listened to the music I was immediately into it. Most of the people that listen to Ben Kweller are really musically open-minded, so I think that it's definitely something that they would dig."
News flash: Coldplay aren’t the only dreamy British pop-rock band with an experimental streak. On album three, Keane trick out their pretty piano melodies with tasty synths (“The Lovers Are Losing”), booming rap beats (“Spiralling”), and fuzzy new-wave guitars (“You Haven’t Told Me Anything”). Partial credit for the expanded palette goes to clever producers Jon Brion and Stuart Price, who show up for a few tracks, but figure also that bassist- keyboardist-songwriter Tim Rice-Oxley’s work on Gwen Stefani’s The Sweet Escape whetted his appetite for an array of livelier sounds.
One of roots music’s slyest, smartest songwriters, Nashville-based Todd Snider isn’t up to the usual protest-song ploys on this eight-song mini album (which nonetheless protests plenty): “I did not do this to change your mind about anything,” he explains in a spoken interlude. “I did this to ease my own mind about everything.” Peace Queer includes an acoustic antiwar rant and a ghostly reading of Creedence’s “Fortunate Son” (with Patty Griffin on backup vocals). But the high point is a ragged bar-band jam about the dissolution of the middle-class dream (“Stuck on the Corner [Prelude to a Heart Attack]”).