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  • FADER TV: Albert Hammond Jr. Exclusive Broadcast



    Resembling a very Blonde On Blonde era Bob Dylan, Albert Hammond Jr. and his equally fro'd out bandmates kicked off the month of July with an exclusive show at Mercury Lounge, presented by Black Seal/RCA Records. He played some old stuff, some new stuff, and some acoustic classic rock throwbacks in the dressing room—all the while wearing a sweet leather jacket. Undaunted by the summer heat, he wore the jacket for the entire set and even wiped his sweaty brow with the sleeve. If that’s not totally rockstar, we don’t know what is. Like a hometown hero done good, he was cheered on by a million of his closest friends and family members and we caught the whole thing on camera, and are bringing some of it to you almost live and direct on FADER TV.


  • Video: Trae f. Slim Thug, "Nuthin 2 A Boss" + "Million Bucks" f. Jayton & Boss



    We were actually getting a little worried that we weren't going to fulfill our character from the Wire appearing in a rap video quota this week—but then this Trae two video epic came out, and there's Slim Charles in the second half sitting on the steps! That was close. We're not sure what the thinking is in releasing this directly on the heels of the Trae as a biker video, but we're also not going to question it too much because any new Trae is welcome, especially when it contains a song-stealing verse from Jayton and the return of Slim Thug, who's Already Platinum is still in rotation.

  • NYC: High Places Play Near Lots Of Children



    When we walked into Stuyvesant Town to see a free High Places show we felt like we had entered some sort of hidden family nature utopia. The scene was like the ideal summer afternoon you only get in the city maybe once or twice a year when the weather is beautiful and no one is pissing each other off because you’re all in a park and there are trees and a big fountain. Also, nothing can suck when the sun is shining and you’re listening to John Lennon and Paul Simon disco remixes. Pocketknife, who spun before High Places, had dads running up to him asking about his Iron and Wine remix before running back to their family picnics.

    When High Places came on a whole bunch of little kids ran up to the stage with balloons, organizing themselves in perfect straight lines and then looping around in circles and running away. We lazed around in the grass and relaxed, thinking the whole time about how cool it would have been if they played in our neighborhood when we were five.



  • Video: Reks, "Say Goodnight" (Prod. DJ Premier)



    Wouldn't you love to hear any one of NYC's big dogs on this beat? Imagine if it was the Lox's triumphant comeback single? The Rae and Ghost collab to end all Rae and Ghost collabs? The song everyone in their heart of hearts really wants to leak off that Nas LP? Faces would melt! Radios would explode! The internet would eat itself! But daydreams are for suckers—and Massachusetts MC Reks doesn't sound half bad on this. Still, it seems like every new Premier track we've come accross over the past year has been attached to an underground rapper with about as much starpower as we have. Is it too much to ask for, like, Fabolous? Think about the children!

  • Freeload: BLK JKS, "Summertime" (Carlos Ramos Remix)



    It seems like a million months ago that we were seeing BLK JKS on like every corner of every city in the United States, but really it was just a couple and it felt like a lot more time because we got so used to seeing them perform everywhere we turned. Since we still break out their 10" on the regular, we were amped to see that they had a new EP for download, and even more amped to stream "Summertime," and then download this Carlos Ramos remix, which reduces the song to a single rubbery stand up bass line and minimal drum tick. We talk a lot about how New York summers on this site, but this song is the essence of them—the good and the impossibly humid bad—captured in about four minutes. Also, check out a live rendition of "Summertime" from one of BLK JKS' last US shows at Harriet's Alter Ego up above.


    Download: BLK JKS, "Summertime" (Carlos Ramos Remix) (via RCRD LBL)

    Download: BLK JKS Carlos Ramos Megamix

  • Video: Daytona f. Estelle & CNN, "Stressed Out '08"



    Oh hey look it's a song featuring all former and current FADER artists. We're not going to say this is the best video ever because it's really, really not, but that's not stopping us saying something! It has Estelle and it has Daytona and it has Capone and a somehow even bulkier NORE trading verses in a stairwell. Why don't people trade verses more these days? Did the entire rap industry forget how awesome it sounds?

  • Video: Lil Wayne, "A Milli"



    There's already been way too much virtual ink spilled over the never-ending metastasis of The World's Greatest Song About Nothing, so we'll keep it short and sweet in regards to this appropriately random official video that was literally filmed on the way to the filming of another music video that has Wayne finally—because we've been wondering—proving to us that he can write raps while in the bathroom. Also, it's almost impossible to watch this clip and not imagine it backwards. The Pharcyde guys were probably wearing Fresh Jive back then, too.

  • Freeload: NERD, "Everyone Nose (Roll Deep Remix)"



    Hold tight Pharrell! Hold tight Chad! Um...safe! That's about as much UK slang as we can muster as a lead-in to this Roll Deep remix of the Star Trak snorter, spotted over at DJ Semtex's blog. We don't harbor any naive hope for future rap/grime collabs that this remix might lead to (peep the back issues if naive hope is what you're after!) but come on guys, this is a co-branding no-brainer! Your shit isn't called BBC for nothing! Alert the blog...


    Download:NERD, "Everyone Nose (Roll Deep Remix)"

  • Ghetto Palms: Self-Defence/Sweep Blend



    Every week resident FADER selector Eddie STATS runs through dancehall riddims and other artifacts from the ghetto archipelago.

    Having just gotten back from Kingston, I can tell yah firsthand that dancehall is not what it used to be, even what it used to be three years ago. People still go out at 1:30 or 2am but the days of dances that run through to the next morning are mostly gone, replaced by mainland style venues shut down at 2. Monday is no longer the night to go out, and although mid-week street dances like Weddy Weddy Wednesdays still run but they’re just not the same and even the immortal Passa Passa is in a place of on-again-off-again hotness. Likewise dancehall fashion is not as competitive or creative, and for first time I can remember since I started following Jamaican music there’s no riddim that is THE sound of the moment. But as with one drop explosion of ca. 2005 the dance craze of the last few years that saw choreographers and selectors becoming rock stars in their own right hasn’t disappeared, it is just maintaining at a simmer-down level til people are ready for the next wave. So basically instead of 20 dances dominating the scene there are only two at any given moment. At this given moment those two are the Sweep and the Daggerin. More on daggering later but for today check out the Self-Defence riddim (from Skatta, the genius behind the Coolie Dance among many other hot riddims), which spawned the Ele single “Sweep” as well as vocal trio Voicemail’s version on the phenomenon over an exclusive Daseca beat. Voicemail also seems to be owning reggae video outlets right now with the Jay Will produced medley “Get the Money/Gangalee” which combine a 90s throwback tune and their answer to Fire Links’ Drumlane riddim in one clip.



    Self-Defence / Sweep Blend:
    Skatta, "Self-Defence Version"
    Macka Diamond, “Robbery”
    Jigsy King, “Bad Mind”
    Jigsy King, “Sign Off”
    Cecile and Saw, “Nah Wear None”
    Elephant Man, “Sweep”
    Daseca, “Sweep” Version
    Voicemail, “Sweep”

    Download: Ghetto Palms Self-Defence/Sweep Blend

    There is one important sociological point that needs to be addressed regarding the second of two tunes on the Self-Defence by Jigsy King (like Monster Hempire, one of several '90s artists staging a comeback these days). The vocal intro is a sample of JLP Prime Minister Bruce Golding justifying his statement that he could never award a place in his cabinet to a homosexual on BBC show HardTalk. This thing has been circulating like mad via Facebook and was just begging to be made into a "bun out chi chi tune" like this (or a YouTube mash up called “Bruce Nuh Fren Fish" if Jigsy didn’t do it, somebody else surely would. I include it here in its entirety along with the video clip of the original exchange just for the purpose of documenting the current (and eternal?) mood in Jamaica, NOT to promote discrimination against anybody of any orientation—no hatemail please.

  • Freeload: A Bunch Of Wild Yaks Live Songs



    These have been streaming on here for awhile now, and some days we found ourselves making multiple pilgrimages to their page to listen to off the wall live renditions of "Tomahawk," and shake our heads and wonder why we can't download them already. It turns out that the answer to that question was that they kind of wanted to put them on a CD and sell them. That's not happening now, so we downloaded those songs for our personal use with the quickness, but maybe they will sell them later and if they do then we will be there to purchase them.

    Download: Wild Yaks Live Songs

  • Freeload: Cam'ron, "Let The Beat Build"



    Is it possible for Cam to come back? We're not expecting him to once again reach Purple Haze levels of smile-inducing twisty word awesomeness, but hearing him for like a minute and a half has us wondering, maybe the future of Cam'ron is in short freestyles over other people's beats where he always calls himself a phenomenal phenomenon because it sounds good.


    Download: Cam'ron, "Let the Beat Build"(via Nah Right)

  • Freeload: Dmitry Fyordorov NLLR Mix



    There is nothing we love more than raging to Justice until all hours of the morning, but sometimes we want something with a little more swing—like maybe some disco, but then that gets repetitive for awhile so we go home and put on some minimal techno and whisperdance (we just made that up) around our rooms until the sun comes up. Also, we sometimes just like to bang on a wooden block with a stick because it sounds good. We didn't think we'd be able to find anyone who made music that put all these things into one huge mix, but then we found Dmitry Fyodorov, who make graceful music that tells you it is graceful by punching you in the eyes. Yeah, we don't know how that works either, but just go with it. There's a bunch of new music to listen to from them on their MySpace, but if you want something you can listen to right now on your iTunes or on a CD or whatever you can download this oldish mix of mostly their own remixes from No Love Lost Records. Sidenote: In our quest to find out if these guys were actually two guys or actually even Russian we discovered a lot of Youtube videos like the one above that look like a bunch of Europeans snuck into our basement and had a party without inviting us.

    Download: Dmitry Fyordorov NLLR Mix

  • Freeload: TK Webb & The Visions, "Teen Is Still Shaking"



    We walk around doing a lot of air guitaring, but sometimes it gets a little embarrassing because there is no music to do it to. But you know what? Last summer we saw TK Webb next to the Gowanus Canal which apparently has STDs in it (gross) and almost air guitared ourselves right into the water. "Teen is Still Shaking" is the first single from Webb's new album, this time shared with a full band made up with members of Love As Laughter, The Comas and Blood on the Wall. In addition to this song being bro-down central, the last 30 seconds sound like something off of Siamese Dream, which is a cultural touchstone if there ever was one. You can catch TK Webb & The Visions this Saturday, July 5th at Glasslands, and there's not a lot you can do to better spend your time.


    Download: TK Webb & The Visions, "Teen Is Still Shaking"

  • Video: CSS, "Rat Is Dead"



    Every once in awhile we fantasize about being rock stars. We dream of crawling across the floor in tight white jumpsuits, warehouses filled with KISS-concert-at-Giants-Stadium lights and extreme close-ups of us swinging our hair around. The closest we actually get to this is sliding around our living room in our socks. In their new video, CSS live the dream—white jumpsuit (silver studded and fur-collared, no less!) and all, and are proving they’ve moved far away from making endearing songs that are basically quick bursts of repetitive energy.

  • Video: T.I., "No Matter What"



    Everyone, including us, has talked about this song already. T.I. sounds focused again, look at what actually writing stuff down has done for him etc etc, so instead we're just going to talk about how T.I. has made it pretty much his whole career wearing white t-shirts and the occasional suit or buttoned shirt. Some dudes in our office wear a plain white tee every day. Anyway, this song is actually important because it signals a shift in T.I.'s career, no longer does he feel like he needs to make a first single that equals the wall of awesomeness that was "What You Know," he's cool making understated songs about Getting Through Shit, which is also what we would call Furthering Your Rap Career Gracefully.

  • Dukey Treats? Seriously?



    Really dude? You're really going to name your album that? And you're really going to have that be the album cover?

  • Video: Trae, "I'm Fresh"



    Trae as leader of a biker gang is definitely not the first concept we would have come up with for a music video, especially because even when he is bragging about being a rockstar, Trae still sounds sad. Could this video signify a new direction for Trae or could it just mean that he's been hanging out with Jim Jonsin and collecting bandanas? Either way, we're just happy to have new Trae music. Keep listening to those Sabbath records dude!

  • Schnipper's Slept On



    Each Tuesday, FADER editor Matthew Schnipper highlights an underappreciated recent release he thinks we need to know about. This week it's Smith N Hack's Tribute. Listen to "Strength and Inspiration" below, buy Tribute here and read about it after the jump.





    In college, I thought it would be a good idea to learn to play an instrument. I bought a trumpet from some guy on Craigslist and had him mail it to me. I remember I missed it one day and thought they would redeliver the next two days but they didn’t and I was so disappointed because all I wanted to do was play the trumpet and when it showed up I was excited and I played it. But I had to get it repaired first, and get a new mouthpiece. Have you ever played the trumpet? It’s weird and difficult. You have to pucker your lips while making them strong and blow your breath in different direction. It’s like whistling except not whimsical. If you ever saw pictures of people playing trumpet with big puffed out cheeks and crazy eyes, you should know they are playing wrong. Or at least that is what my trumpet teacher said. I never got to be good at playing right (or wrong), though I could play a very simple Bach piece, which was nice. At least I think it was Bach, I can’t remember. I really wanted to learn more about how music was made because I listen to it so much. It seemed frivolous to be so presumptuous with strong opinions with no knowledge to back it up. It’s not that I had any desire for skill, but just for an understanding of what skill might feel like.

    Last night I was in a recording studio for a few hours watching people move music from Logic to Pro Tools. The bass wouldn’t sound right, then the clavinet. The piano worked, and it was recorded with what is apparently Elton John’s preferred method, which is a large contact microphone in the instrument’s guts. There were so many wires everywhere, instruments stacked on instruments. The drums had blankets over them, a maypole’s worth of hanging microphones. Everything looked like an earthquake meter or a ’70s movie prop. Dude pulled some old broken acid house keyboard out of an orange gym bag and started trilling away. They played the demo vocals, you could hear the feedback from headphones. There was an oscilloscope and a dude watching movies on his computer whose job was just to sit there in case they needed anything. And when they did, he fixed it.

    I cannot imagine making music naturally. It is difficult enough for me to imagine getting enough hangers so that my shirts do not sit in a pile on a chair in my bedroom. But that’s why both natural cleanliness and an inclination towards musicianship are all-alluring to me. I like ideas, but I like follow through better. And when you blend the two it makes me feel jealous and excited. Smith N Hack, two German dudes, listened to a lot of Bohannon and figured out how to cut it up and repurpose. In the studio last night dudes were having to fill in their own blanks, on Tribute they already have the answers they just have to find the right ones. That’s what’s so impressive about the record; it’s like a crossword puzzle, you know all the answers will be letters but you don’t know which one. I like Bohannon. But I like the idea of someone liking Bohannon and cutting his music into little pieces to make obsessively repetitive songs better. And better than that I like that I actually like it. “Strength and Inspiration” has guitar moan and little solace for the Bohannon fan, just gritty beatbacks and a midpace. “To Our Disco Friends,” the album opener and lead jammer is the cut and paste masterpiece, but it’s more flagrant and less subtle. “It’s time it’s time it’s to to to get get funk funk funky,” Bohannon is cut up to say, pupeteered and lightly mocking. Not that there isn’t love there, but it’s goofy and for a project already so teetering on ridiculous, a smidge of kindness needs to be regularly peppered.

    I’m a simple listener, simple critic. I’m not sure how simple of a dude I am but I at least like to front. And Tribute is a simple concept, simple word. I like that the song I like most is called “Strength and Inspiration.” Listen to that plink, it’s heartfelt. I bet Smith and/or Hack really got heavy vibes from Bohannon and needed to repurpose, work out on their own. I cannot imagine. It’s such a kind gesture to him, to his music, fashioning his songs as an instrument itself. Is Bohannon alive? He seems like the kind of guy who would be dead. Do you think he heard this? Do you think he liked it? It would be harsh if he was upset. But imagine if they met, Smith, Hack, Big B chilling together talking about drumsticks and musical futures. I know Bohannon would still exist without Smith N Hack but in some ways they invented his myth and you’re nothing without a little lore.

    Before I started playing trumpet I remember watching a video of John Fahey on an instructional guitar show and the host asked him how he composed, because she would never teach her students to use their thumbs the way he did. He didn’t really address that, just said he got a six pack of beer and started playing. For some people it’s just natural and I was kind of like, Yeah.

  • Video: Kardinal Offishall f. Lindo P, "Burnt"



    Remember Mad Lion? The basic idea of Mad Lion was great, but Mad Lion himself was less so. Kardinal Offishall works off the same blueprint to drastically better results, also Kardinal Offishall works with Akon. Here's the video for "Burnt," which looks like a lot of fun. We haven't seen a rap video with dudes having lots of fun not attached to speedboats or DJ Khaled in a long while.

  • Freeload: Kid Cudi f. Wale, "Is There Any Love"



    Sometimes it's fun to imagine that FADER brings artists together. Maybe after our D'Angelo/Beck cover D'Angelo has secretly been spending all his time in the lab with Beck or maybe after the America issue Beanie Sigel and Conor Oberst hit it off and are making the saddest album ever. We didn't say our mindgarden collab ideas would always be flawless. Sometimes though, FADER artists getting together does work and actually makes sense, like this song from Kid Cudi's seemingly forthcoming since forever mixtape A Kid Named Cudi featuring Wale, who you may have heard of about nine million times since we featured him in F44. We are all about artists making good decisions.


    Download: Kid Cudi f. Wale, "Is There Any Love"