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                1. Baron's Big Score

                  28.Feb.08, 12:23 EST
                  Last Tuesday I had breakfast with filmmaker
                  Stacy Peralta over on the other side of town: Snug Harbor in Santa
                  Monica. The skate champ-turned-documentarian was in a downer mood. It
                  seemed odd that he was off as his new film, a frenetically beautiful
                  exploration of LA's black gangs called Made in America, stands out as a singular document of American tragedy. Even for me, someone who feels he knows about LA gangs, Made in America
                  is a deeply affecting film. I thought I knew, but I had no idea,
                  really. The G’s are so open with Peralta and his camera. It's
                  unpredictably the film this director was born to make: fatalistically
                  empathetic, hardcore.

                  Peralta produced the film with Golden State Warriors point guard Baron Davis, arguably the greatest basketball player ever to come out of Compton. It’s a trip that the Hollywood studios won’t bite on Made in America,
                  which got standing ovations and rave reviews in Utah. Long after
                  Sundance packed up in Park City, this outsider duo has yet to find distribution.
                  Studios keep telling them that black audiences won’t turn out for a
                  flick with such grim subject matter -- as if this story were only of
                  interest to black folks, who must only be fed pablum.
                  The documentary's $2 million budget is, as Peralta pointed out to me,
                  less than the craft-services tab on a summer blockbuster.

                  My own
                  opinion is that the conservative core of LA is ashamed of the civil
                  wars that have gone on in South Los Angeles, and that it’s literally
                  against the rules of Hollywood to help bring the people’s plight to
                  light. There, I said it.

                  Anyway, Davis isn’t the guy to be stopped on his way to a goal. So it seems almost certain that the film will find distribution, even if Davis and his production partners have to put the thing out themselves.

                  While
                  the NBA is rightfully throwing its arms around Chris Paul and, to a
                  lesser extent, Deron Williams, West Coast legend Davis has flitted
                  around the periphery of league consciousness. His is an aficionado’s game. And the league is actually starting to recognize him with publicity.

                  Before
                  picking up the breakfast tab, Peralta reminded me that young Baron’s
                  parents had drug problems, so his grandparents took him in. They and
                  basketball saved him from the streets, and Davis learned everything
                  he'd need for his current games upon earning a basketball scholarship
                  to Crossroads High School. It's telling that while Davis is on his greatest stage, his equally famous high school teammate — the one whose tutelage was mostly from the streets — is re-viewing old gangsta lessons.  Made in America
                  tells us all we need to know about the streets, as well as who made
                  them the hell they can be. If no one but me and those fans at Sundance
                  are the only people who see the film, I'm better for Davis and Peralta
                  for telling the story.

                  Donnell Alexander
                  is the
                  MOLI View's contributing editor for Sports & Fitness. He posts Mondays and Thursdays.
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